http://www.kultura.bg/bg/article/view/17297
До преди около десетина години беше популярна тезата, че с края на тоталитарния режим дейците на изкуството са изгубили "врага", с който да се борят, затова творбите им станали слаби и неинтересни. [1] Хората, които популяризираха тазvatni, we stayed more stable and characterized in an international context.
And although Ivan Moudov which opened this year's exhibition, said he hoped the residence in New York to be a fool to anyone who receives it, in the direction of the global art scene, I would like to be more cautious.
In no case should be called into doubtXC
resonances of this affirmation, even questioning its other end, I found a recent story "Souvenirs of Communism "by Dubravka Ugrešić in the book" There's nobody home, Sofia, Torch Express, 2006. [2] will with
